ECO:TONE
Residency & Exhibition
Residency & field trip: Grove of Giants, Huon Valley, Tasmania
10 -11th December, 2022
This project was possible due to Dr Jennifer Sanger and Steve Pearce, Founders of The Tree Projects - with gratitude.
Tree climb: approximately 60 meters high
Watercolour study: unable to release my grip on the rope once at the top of the canopy, I opted to sketch from memory after the climb.
Old growth tree.
Ecotone & 'Paddy's Regret'.
Iconic ferns
Looking up at Lathamus Keep, the world's largest Tasmanian Blue Gum.
Iconic ferns
Micro with macro
The ecotone: forest alongside the aftermath of logging. Paddy's Regret.
Fascinating macro
Eco:tone
Install Photo: Eco:tone in the Project Gallery at Queensland College of Art & Design
The Girl. The Tiger (2023), oil on canvas, 137 x 183cm
On Another Plane (2023), oil on board, 30.5 x 30.5cm
Surveillance (2023), oil on canvas, 30.5 x 30.5cm
Fetch (2023), oil on canvas, 46 x 46cm
Postal (2023, Oil on board, 30.5 x 30.5cm
Incoming (2023), oil on board, 30.5 x 30.5cm
All The Things (2023), oil on canvas, 137 x 183cm
Detail: All The Things (2023)
Detail: All The Things (2023)
Detail: All The Things (2023)
Detail: All The Things (2023)
Detail: All The Things (2023)
Detail: All The Things (2023)
Detail: All The Things (2023)
Detail: All The Things (2023)
Take a Photo with your Eyes (2023), oil on canvas, 71 x 91cm
The Devil is in the Detail (2023), oil on canvas, 137 x 183cm
STATEMENT: Inspired by a visit to the Tasmanian wilderness, Eco:tone is a diary entry-style series of narrative paintings addressing the consequences of deforestation. Just as an ecotone represents a region of transition between two areas, the artworks explore how human life and the natural world intersect, with a spectrum from harmonious to historical and catastrophic. The paintings depict various vantage points, offering a literal and metaphorical ‘bird’s eye view’. In the face of a heavy theme, the works convey a mix of devastation and emotional buoyancy, incorporating an openness to the truth alongside the light-hearted and quirky.
The current environmental situation is bizarre and non-sensical, as are the paintings’ compositions. Repeat symbols and motifs include native Tasmanian flora and fauna juxtaposed against specific antique furniture, heirlooms, everyday items, dream symbols and pop culture references. Many of these elements hover in mid-air, bringing attention to the ongoing issue of deforestation that lacks a clear resolution.
Eco:tone offers viewers an alternate point to consider a critical environmental concern. The images resemble magic realism to evoke various responses, from contemplation, advocacy or empowerment to a call to action.